Monday, November 21, 2011

Anti-Venom "Too Sick to Save" ep Review

Anti-Venom "Too Sick to Save"

FFO: Tri-State Killing Spree, Proclamation, Colin of Arabia, X-Files, Extortion

Members of: Villain, Isolation, Streetsweeper and Abomination

This is the musical equivalent of getting thrown down a staircase. You just get tossed around and pummeled. Their are quick respites, only to have the jagged tumbling resume. Phil (vox) stated when i asked him the approach for AV that "we either want it, very slow or very fast". And well, that's what you get. Heavy as a fuck, low tuned - slow sludge stomp to two step 'core rhythms and thrash influences? If that feels convoluted or confusing, well, you put a finger on it. There is a lot going on here for 8 songs (3 are less than 30 seconds...simply named "segue A B or C", 3 are 1:30, and 2 break the 2+ minute span). The pace is ever changing. It's one hell of a ride. The screams are of isolated, loathsome lyrics. The mood of music and voice are constantly dark and horrifying.

The first riff is a gargantuan. there is no way in Hades that anyone at a show could stand still during this explosive moment. I mean that literally; because if for some impotent reason you are not moved on your own volition, some mass horde of sweaty young males will be barreling over you soon enough. The second tune comes in and out in a good mid-paced stomp that slows to a crawl. And that pretty much sums up the next few minutes of your life. A roller coaster of enmity and condemnation with start and stops. Your heart is dragged through a quagmire of fear, insecurity, spite and desperation. And some heavy fast music is your onlys oundtrack. The drums are the key to this blitzkrieg and the are nucleus that maintains the pace and brilliance of this ep.

Listen/download - - for Free

Phil Lorrain Interview (Anti-Venom, Villain vocalist)

I just want to give a big cheers! to Phil. He is a down to earth, receptive, friendly dude. I first heard Villain when "It's Rough" dropped. i loved it right away (read it) the new ep, "Trouble At Home" is even better. But the unseen vicious left hook i got slammed by that is Anti-Venom is ferocious, stunning, dark hardcore. Phil does vocals for both. and i feel pity for his larynx. The world should watch out for this shit. When he is not screaming about the filth of humanity, he is getting his label Shoe City to gain momentum. He was kind enough to give some time and some insight to his world.


ShoeCityRecords
Villain bandcamp
Villain myspace
Anti-Venom bandcamp

If you don’t mind - can you give your age and how you stumbled into punk/hardcore/metal? Favorite bands of genres? Name some bands presently existing that i should be listening to.
I'm Phil, I'm 24, I worked at this place called the Rollerkingdom and when they started booking hardcore shows there I liked what I saw and hopped on board. I like Jawbreaker as far as early emo goes, Rage Against the Machine for radio rock, and Modest Mouse for indie shit. Current band you need to check, Suffer on Acid as soon as their demo drops, Good Times from Jersey, Rude Awakening, Yellow Stitches, and Graves to name a few.

Villain:
How are shows for you guys?
-Hey Hutch, shows for Villain are usually pretty awesome. We get alot of love in the merrimack valley and in central mass, when we play anchors up kids really go off and sing along it gets me really pumped and I try to make it as fun and wild as possible. We always go to shows with lots and lots of friends, its always been a staple with Villain and all the other Marlborough Hardcore bands.

I had to miss that Slapshot show - How did that go?
-It went great, there werent too many people in the building yet but we brought friends and some unfamiliar faces were singing along too so that got me pretty stoked. Playing with Slapshot is pretty much like a dream come true, I love pretty much everything they got, even the shit that people don't like I find some fun in it. But, I do have a Slapshot tattoo on my leg, so I guess I'd have to like most of their material to find them fitting for my body.

How did you feel about It's Rough (for yourselves) and its reception?
-We were all super happy with it, it was everything we wanted to to be and more. Arrest Records put it out and I can't thank Johnnie enough for that. Putting out that record was one of the most significant things I've ever done in my life,(don't know about the rest of the band, but thats me) it showed me that I could do what ever the fuck i put my mind to and I really won't take no for an answer anymore. Before Johnnie signed on for it I didn't know what I was gunna do or how I was gunna do it but I knew I was just going to do it, and I just started putting it together, organized recording, mastering, album art, etc. As far as its reception, I didn't really feel it got much of a reception, I still think alot of people haven't checked it out and its a really fun record so I suggest that to anyone who hasn't. Further more, what I mean is people didn't seem to responde too much to it. The record title "It's Rough" refers to our home, Marlborough, which we often call marlboROUGH, it was a kind a way to scream out, this is where we are from, this is what we are doing.

How do you guys feel about "Trouble at Home"? How do other people seem to like it?
-Trouble at Home, that got a very well received reception. People finally were coming around to give us a chance, its a much more serious record, and it got heaves of positive feedback. As far as I feel about the record, it came out just the way I(we) wanted, I had it layed out in my mind months before it came out, the feel of the record is spot in for what we wanted. The record is an entire year of my life, front to back, writing some of the lyrics for that record felt like I was writing them in blood, some of it is hard to talk about but as I look back I have grown a lot and that record helped me to do it. The record title is from a song on the album, and it reflects on a boy I was friends with in high school, and the "Home" refers to Marlborough/Central Mass not my actual home.

I would just like to note that i loved "It's Rough" my review But you guys have grown and gotten way more solid. Thoughts? Accurate?
-Thanks again for the review, and yeah we refined our sound a lot and its easier to write as a band because we all know what we want now. We're not all throwing shit as a wall anymore and seeing what it looks like, we know what we want going into the music. Because of that it makes it easier for my to write lyrics about more serious topics, because the music makes more of the type of back drop i'm looking for to say what I want to say.

Talk about the sound/musical inflinces for Villain:
-Lyrically, I take inspiration from bands like COA, Hammer Bros. Shark Attack, Pitfall, Defiant Hearts, those were bands I got into a lot when I first started listening to hardcore and they were saying things I could really relate to and I want to start relay that same type of message. -Muscally, hhhmmm, you'd have to ask the guys for sure but band I know they like a lot are sometimes take inspiration from are, Revenge, Power Trip, Pantera, Nirvana.

LYRICS - if you are a piece of shit, do you get people telling you to change?
-I assume your referring to S.C.S, the first track off Trouble at Home. Which pretty much explains how I feel about life in general and the way I live it. To the rest of the world, the working world, the married world, the I have 2 kids and wife a house and white picket fence world, Yeah you do think I'm a piece of shit. And thats the world that wants me to change? save your breath I'll change at my pace and however the fuck I want.

Since you named the ep after it…do you wanna say a few words about your dad and that situation?
-I didn't see this coming before the record came out but the song "Trouble at Home" isnt about my dad and I but a friend of mines and his dad. I can see how the song and lyrics can be misleading but basically, I had a friend Gustavo, his parents moved to America and when he was just entering middle school his father up and left, and it made him kind of a wild card, I remember talking to him in a parking lot as he tried to get me to huff paint with him, I kept turning him down and trying to get him to stop, but it seemed all he was concerned with as the time was getting high and getting in fits of depressed rage over how he hates his dad for abondoning him, it really bummed me out seeing him like that. Fast forward to after high school, hes living behind a home depot in one of the show shed that they set up, because him and his mother had a falling out. He gets a call from one of his friends who is drunk and that they are gunna drive to meet him, he tells them to sit tight , he walked to them and drive them home. He gets there drives his friends car home but on the way he gets pulled over. He wasn't drunk driving or on drugs, but since he is illegal and can't get a liscence he got arrested. About a month later his mother received a notice that he was being deported for driving that night. He doesn't know anyone in Brasil, his mother wont speak with him except only to tell him he was getting deported, and before he could meet with anyone to talk about what he was going through, he went to a tree in Marlborough that his and some of his friends often met up at and hanged himself from the tree. I blamed his father for giving him the hand that he had such a hard time playing, I can't even imagine up and leaving my family, never mind my own child behind.

How do you feel about our present society?
-I think its all bullshit, held to stupid social constraints, such a small amount of people rule all the on goings of the world. I wait for the day where for once I actually have to Live, to go out and feel like, I must go and survive cuz this the only thing to do. To live. Most days I feel like I'm stuck in a rut. I want for the day I live for the first time, or for when we as people decide to tear it down and start a new.

As you meet other people from other areas - how do you think Marlboro MA has effected you?
-I happy about where I grew up, I have lots of friends, we all love to party and must of us don't start stupid shit. Even tho its a small city it gave me a good look into what life every where is like, in the way of I don't tolerate and racial bullshit. No need for that. Most normal people just want to live and raise their family, and try their best. Hahaha, if only I was normal. Well, then I guess i wouldn't do this.

ANTI-VENOM:
So Villain is awesome. Why Anti-Venom too?
-My schedule allows me a lot of free time, I work very early til usually noon, and I want to try some things I had been thinking about. Many friends I grew up with wanted to start a band for years but I never put much thought into it, til one day I wrote some lyrics and song structures I wanted to try and I got together with the boys and we started jamming.

Who is in it?
- Well I do vocals, but I try to keep it at a different style then Villain, Nick Swanson from Isolation and Streetsweeper plays drums, I have known him since we grew up, Justin "Jimmy Cheese" Doucette plays guitar, I knew of him when we kids in Marlborough but never hung with him until we started partying out in Boston and he joined Abomination, Matt Buckingham or Young Buck is only like 18 or 19 or some shit, he plays bass. I met him a couple years ago. He came to shows, we played magic together a bunch, he had a few gigs at his house, and was and all around good guy. When we formed the band I pretty much said "Yo, Buck you've been practicing bass right?.....Your gunna play bass in a band with Me, Ducy, and Swanny". Our second guitar player Greg Friedlander was also in Isolation, I met him when I went on their tour with Trblmkr and he was an awesome, funny guy. We wrote the demo and then he heard what we had and loved it, and I know he shreds on guitar and is just an amazing musician all around. The things he added to the demo really make it the cohesive thing that it is now. Super happy he joined.

Is there a different approach to AV's music?
-Yes, we either want it, very slow or very fast, and lyrically the demo is very introverted and not just me calling people out on their shit.

What do you want to get out of it, when you listen to music?
-The feel, the message, the frustration, the emptiness, Anti-Venom to me is grief incarnate, when we play I just go as hard as I can, thats what I want people to do, whatever that is to them.

The release is incredible - I am floored by it. When do we get a hard copy?
-Man, I'm glad you like it so much. There will be tapes out on Ride the Fury Records sometime soon, hopefully before we tour, which will be in January with a little luck.

To someone who has never heard of you - how would explain it?
-Its fast and heavy, fringe hardcore in the vain of Troublemaker, Black Sabbath, and Infest.

To someone who has never heard of hardcore - say at work or somewhere out - how would you explain it?
-Its not for everyone but if your pissed about things that you can't change you might feel it.

How do you respond when people ask "why are you so angry?"
-I usually say "How the fuck aren't you angry? This world is bullshit, and your swimming in it."

What about yourself is so enraging?
-Everyone has their own demons to run down, regrets, and mistakes. I try to stay positive but if I don't get to play music and release so stress, I get a little bit edgy.

What asppects of America infuriate you? The rest of the world?
-We don't have enough time for all that, I could go one for days. I'll give you one of each tho. I hate the fact I'm better of finacially then my parents because the pieces of fucking dog shit on wall street and the government makes it so fucking hard for them to live. As far as the rest of the world, I really hate how some countries treat animals and homosexuals, fucking ignorant.

Does humanity have any redeeming qualities?
-Sometime I find it hard to see, but they are there. When you go on tour and feel the kindness of complete strangers it gives you real hope for the world. Having said that, I need to tour soon.

Do drugs booze vices help quell the rage? Thoughts of SXE as a response to the world's frustrations?
-Yeah, they do. Its easy to put them in place of pain, but I just try to use them to relieve stress and have fun. Its easy to lose track of who you are when your in a haze all the time.

SHOE CITY
Whats up with Shoe City?
-We just released pre orders for the Villain/Abomination Split, just got the Streetsweeper tapes in, the Agitator live tapes should be in soon, Darkwoods tapes should be in in December, tons and tons of merch on the way. You know, Shoe City on top.

Where does that name come from?
-Marlborough was known as the shoe city back in the day and we are from and based out of Marlborough. (it later came to my attention there are like 1000 cities in the U.S. named the shoe city, but marlborough is the illist)

When (and why) did you start that?
-I was tired of my friends having trouble putting out their music, I wanted to make a foundation to help bands from my area in the future and I just said fuck it, no one is going to tell me no. Grabbed my buddy Nick Nadeau, fellow member of the shoe and also an amazing graphic designer and decided to get this thing going. Hes been an amazing help and muse also Mike Vickers of Abomination does design work for us, Jim Douccette from Where It Ends, Taylor Green from Thats What She Said, and Clint Wood from Haverhill and Tyler smith my longtime friend do drawing for us. But without Johnnie Limit of Arrest records, I wouldn't have been anywhere near what it is now. Also when I decided to make the label I wanted to to be the open thing, I don't want the kids to feel like I was cutting them out, or we were exclusive, because that is the feeling you get around Boston sometimes, if you don't know somebody you ain't shit. Its the exact oppisite with me, if you wanna help, hang out, or learn like Johnnie showed me the ropes, feel free. Lets get together and make something happen. Hardcore is about community, so is Shoe City Records.


How is it going?
-Better than I ever could have imagined. We are becoming a more and more refined machine all the time, getting things done better, quicker, and allowing us to have a lot more fun. Right now its Villain, Abomination, Streetsweeper, and Darkwoods.

Future plans?
-I got lots I want to do, more tapes coming soon, I want to do a compilation and many younger bands I'm looking at that I like a lot. I only work with people I know and like, so that might limit me some but thats fine with me, this is what we're doing and if you wanna get down, you got to be down.

Tuesday, November 15, 2011

Villain "Trouble At Home" 7" Review

Villain "Trouble At Home" Shoe City Records
"We're Fucked." first words spoken against a dark ugly string of notes that slowly plod through their existence on the track. Then Villain bursts into spastic flurry of notes and defiant screams. only to return to the quagmire of repetitive pounding.
kinda sums up my life.
and apparently Phil's life too. The next song is another burst of chaos. heavy fast angry. Great fucking hardcore. Pretty much the formula here. and it rules. Scathing release of the dark thoughts in his head over fervent riffs and breakdowns. Such a great group of no frills hardcore. Heavy mosh for kids to tear down an art space to.
Love the old school vibe with European love of insane pummeling of crust infused core. Catch great song titles like "Noose Ends" and the euphemistic "Trouble At Home". Dead Nation, Voorhees, and such come to mind.
Check my Praise of their first release. I note the obvious of youth; well this ep finds Villain grown up. And fucking jaded. All the promise that was seen in the first lp was fulfilled. Thrash adoration while staying core and acrimonious lyrics make "Trouble at Home" a must!
FFO: old school, euro thrash - Damage Deposit, For The Worse, COA.
another review
buy it at Shoe City
Villain MySpace

Monday, November 14, 2011

This is Hell "Black Mass"

THIS IS HELL "Black Mass" Rise Records
At its most hardcore, this reminds me a lot of Inhuman (which is one my favorite bands!). But ..."the trash is strong in this one". On it sleeves this time. Not like Toxic Holocaust or SkeletonWitch, but in the old school vein of Testament, Anthrax, and Megadeth. They accomplish this while still taking a strong chunk of their unique TIH sound further.
Listening and listening to this repeatedly, This is Hell have taken the best parts of little Anthrax intros and and Megadeth riffs and mood and infused it into their sound. While Riegn Supreme, Blacklisted, and Carpathian became indistinguishable and monotonous (at least to me) in the Deathwish doldrums, This Is Hell has clearly gone in a whole different direction since Sundowning. I loved SD, Misfortunes and cripplers; but Warbirds is truly hit me in the face, despite only being 3 original songs. Well This album fully embrace what was only hinted at in their last full length.
This comes to us via Rise Records. Known for bigger bands than i listen to - with a sound that is known to all the kiddies out there; i am not here to slag them - i just don't listen to their bands. But if they can launch TIH even further - cool. Cuz even if just one kid buys this due to Rise releasing it; and that kid likes it and checks a review - maybe they pick up some NYHC or old thrash titan lp they other wise would not have. Anyway - i guess my point is do not be fooled what i may usually dismiss as a label of new school emo or screamo or whatever the fuck tag gets placed on those repetitive riff formulaic bands (save HWM and Piebald - who i do not like, but respect - and the Earache Your Demise).
anyway - on to This is Hell's new powerhouse of a release - a taut open riff leads into a few dive bombs and the just a fast beat of hardcore fury and angry vocals kick in with sing a long parts. Some ill Inhuman type stomp of a chorus pounds through to verse 2. Chorus 2 ends with a bouncing drum part and some squibblidoo guitars. A perfect mesh of thrash and HC for the mosh. The songs continues for two more sections before a it coalesces into a grandiose finish that will get the crowd walking over each other to chant.
The next two songs "Black History" and "Salt the Earth" are my favorites. These songs are brutal. "BH" is based on a hardcore two-step beats intermittent with thrash moments leaves this behemoth in my head all day long. The little cymbal dings and double bass quips with a catchy and bitter chorus is unavoidable. "years of abuse, Years of being used - we are a bomb and you lit the fuse"....so good. "StE" comes right in with metal stomps and then jumps into a decimating scream. this song is fast as hell and still leaves enough legible lyrics and finger pointing parts for the HC kids to indulge. A hesitant breakdown tease right before verse 2 is my favorite. Again - a huge demonic brooding part with Travis screaming "Chaos surrounding me - unleash the beast and set me free - the time has come to settle the score - its time to let the blood pour!"
"Mi Nombre" is another favorite. The lyrics are all about the stifling economy, and more so - the separation of classes that has plagued this country for decades. Defeated, exhausted and distrustful are the main emotions conveyed in this song. Musically it is a 2:30 sprint that brings back the speed and treachery of the opening of this LP.
Other Joints like "The Last Outlaw" "Black Mass and "The Reckoning" are mid tempo metal stomps that will get the headbanging - but you can definitely get some picking up change in. While "the Wars pt II" and the 1:28 bass fueled "Demons" will just clear the dance floor. it comes in on a runaway train and breaks down to a two-step part that rules.
All throughout this LP, i believe that the listener gets a hardcore album that has supplemented the great attributes of thrash metal. It really does balance out perfectly. Production wise - its clean and thick and well done. Reminds me of a Municipal Watse album. Or a Zeuss produced album - while avoiding the stiffness that it rendered to Terror on Underdogs. *(but helps bands like Full Blown Chaos). So Yes, FBC, Terror, Throwdown, Hatebreed, Sworn Enemy level music and production. Loose and quick and full sounding.
Great lyrics fuel the enmity and vengeance sought in the spirit of the greats, similar to Cold As Life "Declination of Independence" and Palehorse. The powers that be are not fooling This Is Hell. They want justice. And Blood. The cover art reflects this as well. A rotten, corpse of the Statue of Liberty with snakes for arms and impaled by an evil arrow. This country has many secrets. Those secrets glimpse the government's agenda of keeping you and me down and suffering. TIH wish to eviscerate that plan.
So, for me, these lyrics are great. i still believe that HC/punk?OI/Metal etc can still produce change; that it can be a movement. This world is fucked. Its priorities are poisoned. Humanity is rather hopeless on the whole. But if we can alert those that will listen, then maybe our little corner can be better than the rest. And with TIH's talk of the bigger picture and the government's role in our plight, i applaud this thinking. i didn't need another lp of cliches spinning on my turntable.
STANDOUTS: "Black History", "Salt the Earth", "The Wars Pt I", "Last Outlaw", "Acid Rain", "Demons" ...there is not a bad one on here. they really all stand out
TIH FB Buy It at RevHQ

Citizen Keyne "Unity" lp review

Citizen Keyne "Unity" Step-One

Here we have being broke, drinking, Punk and Skin Unity
"I am a punk. I'm going to make the world feel better" Here is a band that believes punk can still impact society. and i, for one, find that empowering.
a solid punk rock album. Can be a touch repetitive on "This is me, mr society, deal with it!". But i will take lyrics of defiance and rebellion any day. Cleanly produced. Some songs are slightly faster, some songs have real a good mid-paced oi feel. You can tell that these bootboys are older, with lyrics that stem from an aged punk feel with some mature perspective. But that has nont tempered the flames of anger and dissent. CK are down for unity, they would like to join the subcultures to fight the system. Some more political ditties in there, but only about 3 of the 12 "Unity" ends with a 2 minute version of the Priest classic, "Breaking the Law" ..fun for a punk, but a metal head might shake his head.
Standouts: "Police State", "Punk Not Fashion", "Weekend Riot", "What's Going On?"
FFO: Superyob, Foreign Legion, Blood Stained Brindle, The Business
In Depth Review and Interview
Buy It! at Step-1

Skinfull "Drinking Class Heroes" LP Review

Skinfull "Drinking Class Heroes" pure impact

Coventry Skinheads make this new classic of gritty, ugly, hard oi. Songs about drinking, being a skinhead, and fighting. And more Fighting. Working class pride and patriotic politics (read: British Politics, especially re: the dole and EU) come into play, but mostly this is about grabbing a pint or ten with your hooligan mates and taking no mess.
Less C-84 sound than contemporaries SCUM and (recent split mates) Bakers Dozen. But they still have that same sound. Skinfull have more of a catchy, pounding beat to it, a la Macc Lads (not the perverted jokey lyrics). Skinfull has that same drinking rowdiness as the Lads from Macc. While slower slongs remind me of 4 Skins and Gundog.
"Love It or Leave It" is about slobs on the dole ("...make a contribution to the country where we live! ...When people don't work, we pay more tax"). Soundwise, like the opener, "Smash 'Em...", it has a great heavy rolling to it, even akin to late 80s US Oi. Other songs like "Hooligan", "Mr Bouncer", "DIY Scene" are kicked in fast tough songs that stand out. While "Suicide Bomber" and "Lap Dancer" are slower but boisterous and engaging. While a song like "Road Rage" has that ominous, lurking sound for the verses and speed through a catchy chorus. Certainly, Skinfull knows how to play with rhythm and time changes to lurre the listener in and entertain everyone in the crowd.
Standouts: "Pariah", "Friday Night", "Hooligan", "DIY Scene". FFO: Gundog, On File, Argy Bargy, Code1. C84, 4 Skins, Macc Lads, Last Resort.
Skinfull MySpace
Pure Impact Shop
Yesterday's Youth "Banned in Cap City" Creep Records
I saw this LP first as an image on the new section of eMusic. The band name and the album name/cover art clearly let me now that this would be a no nonsense hardcore band. Well, the street cred is checked, but maybe a little nonsense. Check "Karaoke Blackout". So yeah, a little digging (or listen) unearths that this is the band led by Joey Knuckles (check Wisdom in Chains seminal "Cap City" or mid Atlantic Tattoo Conventions). "Medio-Core" may be my favorite. The song is regarding the newer hardcore played without "a touch of punk or rock and roll...Every band just want to play some metal. Every crew's got mad beef to settle" i will make you find more awesome lyrics on your own via they hilarious breakdown! Over all: this is fast hardcore punk with heavy riffs and lots of finger pointing and sing along parts. There are plenty rolling low tom and bass drum fills for breakdown fun. As much as this band pays homage to its old school roots, it is quite original and refreshing. Think of the first tie you heard Wisdom In Chains and Slumlords. All songs kill it - but especially check: "Blazed, Laid and Paid, "Fashion Victim", My Life My Way". And despite their "Medio-Core" lyrics, there are metal influences throughout. But, to their point, not complete metal song formulas. It's brought in just enough to make it heavy and funny and does not over shadow the punk influence. All of this is fast fast and faster punk with metal tuning that deliver a crisp riff cavalcade over street oriented lyrics. Nuff said. BUY IT. FFO: Slumlords (sound and lyrics), Cheech, Pitboss, Bad Brains, Wisdom In Chains, Murphys Law.
Weed, drank, tats, fighting.
Skinhead Rock and Roll with NYHC bass lines
MySpace
Buy It! @ Interpunk

xTYRANTx "Extinction" ep Review

xTYRANTx "Extinction" ep Review Eulogy Recordings For Fans Of: Cornered, Palehorse, Cold As Life, Earth Crisis, Earthmover, Hatebreed "Satisfaction", Stampin Ground, Skare Tactic, Donnybrook!, OnexChoice, 1st Throwdown, Until the End
This ep is heavy as hell. It is an unrelenting barrage of fire and low-tuned spite. "This world of shit" shall feel the wrath of this quick collection of new songs loaded with double bass and tough ass riffs. This release maintains a bounce which helps it never go too metal. The slight groove would get any true heavy hardcore fan spin kicking and windmilling. Tight production propels this fierce onslaught of disdain and provocative lyrical treasures. I have been playing this fequently. It s mighty dificult to stand still when doing so. if you are new to to xTYRANTX. this is hardcore. Unapologetic, Courage Crew, from the bowels of Detroit, fuck you, militant SXE, metallic hardcore. The bands 3 releases have been adorned with drak grey, ominous, fire blazing, army tanks among urban warscapes. This band is not pretty. this band has no gimmick. Simly, it is ferocious music with a message. This is a display of the rage and bitterness distilled in the hearts of these dudes. That pessimistic view is then honed and aimed at the outside world. XTYRANTX sees the lies of the politicians, the apathy of the country, and the scourge of drugs contributing to a helpless America as it writhes in an apocalyptic demise. And as grandiose as the image is that i conjure - do not et that protray these guys' approach to their music. The production is clean and thick, but never overdone. This is a DIY hardcore approach to music, not some indulgent metal endeavr. True in their hearts, and true to the harcore scene, xTYRANTx brings in it again in 2011. xTYRANTx MySpace
xTYRANTx FB
interview on HARDTIMES
Eulogy

Cornered "Fuck Off" Review

Cornered "Fuck Off" 6131 Records
wow. no big adjectives or obscure words here. just "wow". This shit is impressive. Taking a push from NYHC crossover like Leeway, mixing in some present day like Mind Eraser and Rival mob and Terror; but mostly i would liken this to Shipwreck and Living Hell and the most apropos comparison - which coming from me is the biggest compliment - is Palehorse. They sound very similar and i am the most grateful for that. I loved Palehorse. and all that mentioned, this band is from Holland. Anyway, in the landscape of today's hardcore, Cornered stands out. even though i was quick to throw some "For Fans Of..." names, these guys have a distinct sound. Heavy. Cornered however 'influenced' by metal tendencies, definitely stand strong on the hardcore side of the metal core label. I mean can you hear the late 80's crossover compared to 7 Seconds or Uniform Choice? of course. but the rhythms pummeling through your speakers are for the moshers. the pit will be satiated. Check the bass intro to the song "Fuck Off". Agnostic Front could have written that. Your ears get cohesive attack from all members and their instruments. Vicious, seething screams from the vocals spit condemnation and warning to this fucked up world. Again, to draw on similarities to Palehorse, there are lyrics of world collapse, illuminati, secret societies in control and the like. Musically, the sharp riffs and quick drums never let you rest. This shit is fast and time changes galore keep you on your toes. and swinging your fists. There is a bounce and the EuroHC sound is in there; which harkens the NYHC love again. this band is so good. "Betrayal" is stand out - so fast! and then the breakdown would be sure to bring down any venue. "Lies" is of the same ilk, crushing riffs sped up forcing all in ear shot swear allegiance and start kicking and punching. i truly can not get enough of this ep - bring on the full length! fo real - this is a refreshing change to some of the formulaic HC out now. and as i said, they ain't re-inventing the wheel, just bringing a sound that is powerful and invigorating. this is on the soundtrack to change and revolution, no doubt. It has the speed, the fury, the hate, and the energy to remain steadfast amid the chaos. listen to full ep buyit! REVHQ buy it! Hellfish 6131 Home

Saturday, November 5, 2011

H2O California 7" Review

H2O California 7" Bridge 9 Records pink orange blue and clear
You know the band. They are doing a full covers album - Three 7"s come out to celebrate that. Cali, NYC, DC. 3 songs each. Here's the First. *Cover songs are tough - do you do it straight - how much of your band's sound to you inject? or do you "interpret" it? *e.g.,, that horri mess by Thursday on the otherwise impeccable NA covers lp that is still listen to a lot. "Beverly Hills" Circle Jerks. Got to say, i love the cover of this by E.T.A. - hard to touch. and the love-fi thrash skate sound, just fit it. So how will a cleaner, more polished H2O deliver this classic? pretty damn well. it's a different take - but it works. Short song - Toby and the Boys put a little twist, but it's good. Something about an ugly haggard Keith Morris snarling it on Rodeo Drive makes me wram; but this is pretty cool as well. They make it sound like an H2O song - no one is going to choose this over the original for the gritty spitting perfection of the Circle Jerks - but it''s not about that. It's about having H2O do songs they like. "Journey to the End of East Bay" Rancid. Never that into Rancid. or really at all. I won't get into some big pros/cons; but all being said - i could never hear another rancid song and be fine - but if i get on a car it's playing, yeah, that's fine too. Tht being said - as this song plays, there is no mistaking that is a Rancid song. H2O do a fine job word with it. It's catchy, with a bounce that lends it slef well to H2O, but it just has that Rancid sound. So they must have something i missed - because i will concede that that is a difficult thing to accomplish in this punk rock world. Distinction. A fun song. "Sick Boy" Social Distortion. No here's a weird one - as it's a mid-paced straight rock and roll song. But ah..... never fear, H2O put their own stamp on this one. I place this with "Iron Chin", by Stigma for The Bruisers. H2O, first of all, do a genius move and add gang back ups. Adds a perfect bar or tune sing along fel to it. Toby also switched some lyrics they definitely wrangle it in to the H2O realm. this is a damn fun song for the older guys like me. myspace h2ogo bridge9

Reason to Fight Chesty Malone Split 7" Review

two cool bands of similar style in one convenient 7". On burgundy splatter wax, no less. United Riot Records
Reason to Fight - Local Providence hardcore kings Reason to Fight some through with 2 working class doting tunes that inject some hardcore into punk bass lines. You can tell that this band loves harder Oi! (a la Oxblood or Run Like Helll) an Live do covers of Cro-Mags an 1st KLP SOIA - so you know where they are coming from. These 2 tunes do stand on the punkier side of the tracks. It is great t o have some choice, especially if you have caught them live recently as they are getting tighter and more straight up HC. "Dying Breed" is fast jaunt about not leaving this scene, even as age and responsibility may tug at you. Again, it nurtures the perfect balance of NYHC and oi; you would not being standing still if this was on your turntable. "HW,HD,HC" is even punkier - a catchy rhythm but still fierce; a la The Booked, Terminus City, The Forgotten. Meant for sing-a-longs. Chesty Malone and the Slice 'Em Ups - i had never heard this band, but had seen their name. Kind of assumed, due to the name and my jaded prejudice, that with a name like this, that this band would be rather generic in sound and out for the shock. But i was wrong. Great 3 songs here - and stronger, fuller guitar than i predicted and just a rougher heavier sound all around. Female vocals always welcome by me. Horror slasher topics and look, but not cheesy. "The Brain that Ate New York" - The riffs are pounding rock and roll over kicking drums. The Service comes to mind, but faster. "Quest for Flesh" - A nod to old west coast US hardcore - just fast and belligerent. Adolescents, Descendents, Circle Jerks. "Panic at Pt. Doom" great bass line opens, almost coming from a Warzone song; it quickly turns into a disorienting riff with slamming drums. Fast and vicious for 2 verses, then the mighty breakdown. That sounds formulaic, but this is punk - just do it well! and they do. This song kick ass. A doom filled foreboding tone to her voice and the chords bring a cool omniscient feel to the first half before the melee of the ending.

Fed Up! 7" Review

Fed Up "Live at WFMU" 7" Welfare Records / Punk Rock Distro
This is a sweet little slab of wax. Fed Up! takes some hand picked tunes from a live WFMU set to doff the cap to WFMU Pat Duncan. A well written tribute to this NYC scene stalwart accompanies a powerful set. 7 songs of straight up NYHC would get any dance floor moving. The production is thick and clear - every instrument gets a clear platform to show how FU gets down. It opens with the ruff "Aimless Youth"; We get sped through the fun and energetic "Butt Man"; and the closing of the first side, ends perfectly with the looming breakdown of "Stand Proud". Side B starts with the 10 second "Tattoos" and a Murphys Law-esque "Bodacious TaTa's", in lyrics and in music. The first half of "Snitch Bitch" isn't quite as tight as i am sure the beers starting kicking in; but by the second half you are singing along and then to end, "FYL" blasts through a great finish of mosh friendly riffs. and a good solid outro wraps it up. The energy and spirit and plain old fun of Fed Up! definitely comes through in this 7". You feel like you are at show. Good times. I would also like to give a nod to Jen and Muna at J.M. Designs - the layout is crisp. Straight black and white photos, and a sweet, clean design helps this 7" stand out from hastily placed hardcore layouts. Fed Up! Welfare Records! Buy at RevHQ