Sunday, February 28, 2010

When you point a finger...




GUT INSTINCT 0001: Rants and gut responses to the nonsense in this world
"The Toyota Apology"

So i avoided the news all friggin' weekend. That whole Toyota guy having to go in front of Congress last Monday really pissed me off. It was on all the news. NPR covered it straight up, then it was on CNN; then, Tuesday and Wednesday yielded a barrage of comments. i was seething. And all of the comments seem to center around "too little, too late" or that the US Congress seemed satiated. Are you fucking kidding me?!!? Who the hell are they to seek reconciliation from anyone. No news source seemed to point out the brazen hypocrisy in this situation.

For one i was just pissed that our leaders were spending time, energy, and effort on this. Maybe when our budget and economy are stable to the point of boredom, we can start demanding other CEOs to come to our shores and apologize. bullshit. We have large corporations spilling oil in the ocean; dumping toxins in our own citizens' backyards; tobacco companies knowingly hiding research of the poisons and carcinogens that they deliver into people's lungs directly; and so much more.

Like, uh, the complete selfish, greedy, parasitic (and predatory, for an ironic biological twist)corporations that raped its citizens and domestic investors in the past two years. These assholes can't sit in a room and figure out some healthcare compromise or spend this effort into getting a resurgence of the workforce. Pathetic.

Maybe if Toyota had caused millions to lose their homes, savings, dignity, dreams and emotional security; like the bastards on Wall St have done, then i could see the point in this persecution. But making a pariah out of Toyota seems to me to be a brazen distraction by Wall St and congress. This has a salient stench of self-absorbed grandstanding, that would be laughable if it was not so infuriating. For this congress to have the audacity to coerce this man to come over, while they themselves have committed atrocities against the US people is an incendiary event that has ignited much ire in me.

Focus on yourselves, guys. When your record and actions are flawless, then you can pick on others. It just seems that in a time when we as a country are so exposed for obvious blunders (well, "blunder" implies mistake - which is erroneous. our current financial nadir is due to these leeches' INTENTIONAL feeding of their astronomical greed) And then, where are the Jeep and Ford guys. They have recalls. It appears that while we are in such a poor standing in the world view, that this is congress standing up and pointing at someone else about a bad thing that they did. "Look, Look! That guy fucked up!" but when you point a finger, there are three pointing back at you. This is some guise of patriotic protection; when in reality, it is an obvious shift of the spotlight of scathing scrutiny.

We should demand more from our media. And then, to have the news report, "Well, the Congress seemed pleased...". So ridiculous.

I understand that Toyota seemed to have some memo that acknowledged the issue and skirt it by blaming floor mats - but when this story broke - Toyota dealers were staying open 24/7 to correct the issue and were calling all who bought the cars. And if they want to holler 'cover-up' or some exaggerated blame, i think American Corporations win the gold medal there.

I just wish that there was this much energy and indignation over the atrocities that US corporations have committed against its own people. They threw away our money, waste our savings, doom our mortgages, burn our taxes, and blow through our Social Security - and they walk away unmarked, while Toyota comes in battered and marred and humiliated. assinine.

Saturday, February 27, 2010

Cash Interview to Celebrate Final Studio Record

suck it, Tupac!

Johnny Cash: A Ghost Rider, Still Stirring Souls

This was a stirring, humble interview that brings as tear to my eye.

http://www.npr.org/templates/story/story.php?storyId=124074975

then you can link to a interview with Ric Rubin too.
And one about Ozzy's new book.

Johnny+Cash-+1956+Big+D+Jamboree+Show


Johnny Cash- 1956 Big D Jamboree Show
Uploaded by rappa1. - Music videos, artist interviews, concerts and more.

Friday, February 26, 2010

"I Found a Way to Cope with the Everyday"

been listening to Toe Tag, Only Living Witness, and Life of Agony. '93 - Booom!

Born Low "Reincarnage" Reaper Records Review



Born Low "Reincarnage" Reaper Records

Did you Like the last two Madball albums? of course, you did. Well, this is very similar. Mid-Tempo, heavy hardcore. Think label mates, Forfeit or that new school Cro-Mags worship a la: Bitter End, Reign Supreme, Iron Age, etc.

This Albany group bangs out breakdowns a plenty to heavy-ass chugs and riffs. Beyond standard fare, Born Low stands out in the crowd. I hope the tour down this way.

8 songs on this ditty - another superb output from Reaper. Tough, angry hardcore.
Boom!

buy it:

http://www.myspace.com/bornlow

iTunes

http://www.reaper-records.com/home.html

www.revhq.com

Thursday, February 25, 2010

Clenched Fist "Just Like Roaches" Review




Clenched Fist “Just Like Roaches” –

The transcendent soundscape elicits an ethereal pondering from the audience as it doubles as an exploratory metaphor from the nubile cravings of….. wait. Wrong review.

This is Hardcore. New School fucking Hardcore. Heavy, brutal, pissed. Fast; tearing your chest and eardrums like a rabid Ebola virus, leaving you bleeding, exhausted and pummeled. Your carcass is left smiling, though, in its final stages.

This digital download only release finds CF in an improved state. And “Welcome to Memphis” ruled! But whether it’s time and maturation or a new line-up, the result is undeniable. Vicious, unrelenting breakdowns are the anchor of each song, without swallowing the seed of metal-core bands (First Blood, Since The Flood, Black My Heart, etc). This is hardcore. This shit will clear bars and VFW halls from one coast to the other.

Tough riffs, solid drumming, and spot-on production provide the perfect platform for Juicy Joel’s bloody throat to deliver bitter and disgusted lyrics. My instant favorite was “Dead at 33”. As a 32 year-old, I recently enjoyed the Clenched Fist interview on HARDBOILED. Statements like “For several years I worked in an office every day and I didn't ever travel or go to that many shows and I thought all the new bands sucked and that all the new kids were faggots. Once I quit my job and started my own business I started touring with Death Before Dishonor and helping out with This Is Hardcore Fest and I realized that there are some good new bands and some new kids who will turn into lifers. The scene is definitely different now but it's not dead. It just needs older people to lead by example. I love hardcore and will never leave it” prove why I still do this and that we are not alone. Clenched Fist deserves mad props for truly, keeping it real.

“The Epitome”, “Self Made”, “Random Things” and the title track stick out to me. Boom! But every song is amazing. This album goes from beginning to end without an extra second.
My only complaint is that we had to wait this long to get it! Please do not take so long in between albums! I can’t imagine, with Thorp’s recent resurgence, why they would not get behind this or release it. Eulogy or the like should be pushing this brilliant, blazing album.
A kickin’ surprise is Brian DBD on “Solitary Confinement” Well not a surprise in the fact that CF vocalist’s plays in DBD. But, as there was no inlay or booklet; it surprises the listener. And it bludgeons the listener.

For Fans of: Madball, Cold as Life, Skare Tactic, Donnybrook!, Folsom, DBD, Forfeit, and a little Reign Supreme.

I bought this album on iTunes. Joel may say he does not care how you obtain it, but I do. Support someone so dedicated to this lifestyle. And support a group of guys that puts out quality and authentic hardcore.

SUPPORT CLENCHED FIST:
“Any bands or record labels that need art, check me out at JuicyJoel.com. Look for Clenched Fist "Just Like Roaches" CD available in Europe from Filled With Hate Records later this month. They will also have CF shirts. Thanks man.”

Check out: justlikeroaches.com/

READ THE HARD-BOILED INTERVIEW:
http://old-school-hate.blogspot.com/2010/02/clenched-fist.html

Tuesday, February 23, 2010

Snoop Dogg re-releases Classic Rap Albums



word. my man, Snoop Diggy is re-mastering and re-releasing two classic rap albums ("...back when it was cool to call hip-hop, rap"). Eazy-E "Eazy Duz It" and EPMD "Strictly Business". i hope this introduces two stellar crest of hip-hop, 1988 albums. Tight, funky, innovative, smart. repping both coasts.

thanks, buddy.

NYHC:Killing Time "Three Steps Back" Review Dead City Records





Killing Time "Three Steps Back" Dead City Records 2010 NYHC

well. 14 Years later, we have a new Killing Time. I wanted to put this in before the interview, so as to eliminate all bias. Here we go.

Overall, this music kicks ass. That could be the review: plain and simple; direct and blunt; no frills - like a Killing Time album. The songs are all under 2 min; no emo singing, no experimentation, no post-hc influence, no gimmicks, no leaps of faith. The fact that they are the original 4 plus one - solidifies this classic ensemble. (Anthony Comunale, vox; Carl Porcaro, gits; Anthony Drago, drums; Rich McCoughlin, gits; Chris Skowronski, bass)Responsible for the first Breakdown material, Raw Deal demo, and the Hall of Fame "Brightside" lp, this line-up has written music together for 25 years. And it comes across with a blistering slap as they synchronize seemlessly. The production holds the tough feel, while leaning towards a crisp sound that lends itself to each individual's actions and a cohesion that melds indistinctly. This lp is mixed so well. I can pick out the bass, which frequently deserves the spotlight. Nothing is done on those four strings by the numbers here. Decisions in writing and in mixing let the nuances perk up with flair. The guitars play well together. Often, we have a solid, focused riff; while simultaneously leaving space for the lead to play around and wander. Vocals are flawless. Not aged one bit. No stupid ass singing. Just a spoken, fierce delivery of throaty sage to explain what's fucked up with this world and the ugly ways in which people interact with each other.

To do the "for fans of" thing; in case you are new or haven't tuned into Killing Time in 20 years... First off, i think of the much younger, Philadelphia based
The Virus. The vocals are dead on and the music is the same. Anyway, since these dudes sparked this style, lets compare. Think Ag Front- LAJFA/One Voice. Murphy's Law fast spite and spunk mixed with Inhuman's stark stomp with a dash of Cro-Mags. True NYHC. Think Poison Idea - BVBO/FTD and The Pist. Maybe KYI hopped up on steroids and sarcasm. Maybe Bane and The Wretched Ones have a quickie in the men's room while MOD watches? Think when NRSV plays a 'catchy' song... i don't know. Did you get Colletti's "Loved & Hated' or the mighty Against the Grain? This is like just a step away from that. the perfect amounts of Terror mixed with Gorilla Biscuits. Anyway - if you like any of these bands, kneel and pay homage to Killing Time.

This is a true collaboration, all members are credited with music and lyrics; coupling up and writing solo. A true group effort.

This isn't "Brightside Pt II". But it isn't "The Method Pt II" either. This album would have felt like the natural, gradual step in between the two. There is a maturation in this album, but there are tons of "Brightside" moments. More than moments, this is actually pretty akin to "Brightside". There's no denying that these guys honed in on the 'method' or, er, sound, that they created. This album could have been recorded in '88. Rest In Pieces/AF/Breakdown/Killing Time feel, through and through. There are some metal parts, some rock parts, mostly punk parts; but they are all liberated by the heavy hardcore that these dudes originated. Killing Time has grown, but not changed.

welcome back.
thanks guys.

1. "Flight Plan" kicks right in with a straight 4/4 drum beat, quick riffing, and some screaming guitar. Anthony Comunale comes in with his voice in the same exact shape as any other KT output. the riff is heavy and fast. This is pure NYHC. No apologies. at 1:20, we get a vicious breakdown that rivals any band of kids that grew up on this shit. The lyrics are peppered with a refrain of "fuck them!". It is a phrase that is a flippant response to anyone that might degrade those of us that live a hardcore/punk lifestyle; eschewing all the benefits of productive responsible lifestyles. We get some pretty damn good benefits out of this life. Tangible, visceral ones that feed people's desires that they do not reflect on til they fuckin retire.

2. "Spaceheater" jumps right in with NYHC old-school flavor; a touch of late '80s but not too crossover. Some slow sludgy parts provide a nice kickboxing soundtrack in between the comfy riff that propels the fast parts. This is classic.

3. "24" jumps in with a quick riff that is laid with what is followed by a dissonant lead the elevates the tune. The drums pounds away with speed. This tune is a touch more punk. It has a bounce to it. This tune blazes by at 1:44, not a second wasted. The vocals bounce with the sound; and gang chants are added to bring that punk feel home. Amazing.

4. "Cropduster" continues on the hardcore punk trek. We get beaten with a pummeling, gritty beat and moments of the bass being jiggled at chaotic speeds. A clean riff carries the song through what we want; 2 quick verses and then a rolling breakdown with gang chants. It picks up and builds at the end to culminate into an exhausted exhale.

5. "Mingus" comes in with a punky-new school gallop that has me dancing in the mirror. i can see the kids running side to side and picking up change. A nice nod to the 2000-era bands that expanded on KT's sound. Every thing comes full circle, i guess. It has depth with the guitar lines. There is more going on in this song. Adding to a youth crew feel is a presence in the bass that grasps the listener. The lead guitar is allowed to go astray more and is featured. While, it is not something i always look for in my HC - it certainly does not detract.

6. "The Accident" a good mid-level stomp. the drums really push the bass, which is promoted in this mix. it diverges off the simplistic path and adds a level of groove to this joint. The vocals are fierce and contemplative. there is a catchiness to the main guitar line, especially in the chorus that will get you singing along. The bass lays this foundation well. The leads, again, add little squeals that will have Carl from ATHQ basking. "We've all been searching the wreckage" is chanted at the close and provides a nice coda.

7. "Rope A Dope" This tune leans more towards that punk hardcore feel. Not Bad Religion catchy, but Murphy's Law. All the instruments meet a nice middle ground. Each is allowed to shine and titillate in the mix , while they all complement and yield to each other. There are two parts that step back a touch - dying for a cavalry of sweaty bald guys to pick up change! and i will be right there. good shit.

8. "Inheritance" my first reaction to this was that has a splash of 'rock' in it. I mean, it's a hardcore song. And not like a Brookyn Biohazard/LOA groove, but just a little more rock than other tunes. Listening to it again and again, the parts in this have a down stroke feel to the riffing, a retarding effect, almost. it allows us to catch the riff and dance. Its good. it is a nice pause.

9. "Half Empty" No resting! Let's go! Speed picks right back up wit this one. and a chorus of chants ("Half Empty!") rest on a fierce gallop of drums and bass, as we forge a path of ash from the suckas that stood still. Boom! A solid breakdown in the middle lands expertly. Which then picks right back up to cruise throughout the rest of this strong song. Probably in the top 5 of the album.

10. "Lookout" yeah. you should. Pile on right away. Music and gang vocals paint a picture of the singer getting forgotten under like 50 kids on the edge of the stage. AC emerges from the crowd to growl over the bouncing, wiry riff. Drums concretely establish the standing beat, over which all of the instruments convene to add to the frenzy.

11. "Crouch" ..."don't be a pussy, boy!" yeah. Don't. Jump up and do your own thing. This tune crushes.

12. "AKB" Somehow they lifted a 1987 Anthrax stomp for this. it works. "Everyone's out to get me!" and "Leave me Alone" are the constant repetition of these lyrics. And the metal riffage adds to the paranoia. There is a quick, but crisp bulky breakdown in the middle. The song is harsh and tough. perfect.

Monday, February 22, 2010

Get up on it.

the legends DJ Jazzy Jay & Afrika Bambataa teach:
"How to Scratch"

http://www.youtube.com/watch?v=CpIKX1sxFoQ

"Resolved" Documentary - Whitely 2007 - review and praise

i have always loved to argue. well, that makes me sound like a dick. i love debate. i appreciate it and cherish it; i feel it is a vital part of the human existence. Debate nurtures and solidifies our values and beliefs, while exposing us to viewpoints and experiences of which we most likely were not aware. Arguing, on the other hand, i just am always ready to do. it has been an innate reaction in me. i attribute this to my ardent compulsion to have order, rationale, and logic. i have a fervent sense of justice that was ignited before my conscious memories.

that being said, i also love stories of racial issues, the underdog, classism, the elite's ignorance (as it justifies my hate for the wealthy) and the underdog.

i love film. i love reality. i love documentary.

"Resolved" is a film that encapsulates all of these aspects into a spark of frustration and resentment. Life ain't fair.

as i began watching Greg Whiteley's 2007 film, i simply thought i was watching a doc on High School debate teams. Which, despite my rejection of any organized, school supported team or club - had wished i could have been a part of. but my hick-ass town did not have one. And the film began as that. it focused on two lower-middle class white kids that were getting the shaft in many area (from funding to respect). These were clearly brilliant, determined kids with an amazing talent to research, memorize, and enunciate specific, challenging ideas.

These two (as schools usually have teams, and couplets face other duos) kids were kicking ass. One - and the most obvious factor in a healthy debather - is his/her ability to speak "spread">

"Spread" - developed by some debate dude in the 1960's or 1970's to literally speak as fast as he could. this approach allowed him to put as much information as possible in his arguments, as debates are timed. *(wikipedia: Policy debaters' speed of delivery will vary from league to league and tournament to tournament. The fastest speaking debaters in the nation speak from 350 [1] to in excess of 500 words per minute [2][3]. In many tournaments, debaters will speak very quickly in order to read as much evidence and make as many arguments as possible within the time-constrained speech. Speed reading is referred to as "spreading.")

These two white kids were damn good at the execution of "spreading". This bolstered their arsenal of intelligence and debating even stronger. in practice when, 'spreading' one has to to take two deep breaths every 30 seconds or so. it sound as if they are mimicking a seal in between speaking far beyond the speed of normal conversation.

as i began to watch this, i thought - "gee, if your purpose is to win an argument - is it really helpful to speak so quickly that people can not understand you?" Now, most debate judges are/were debaters - so, they must be able to process. these genius minds were spending their youthful summers piled under library books and their parents money ($5,000 each time, give or take) to compete in cross country debates. All in hopes of a college scholarship - a reward 2 - 4 years away in benefit. In lieu of social rewards of parties, girls, cars, etc. And it is all hinged on mastering this form of articulation that half of a percent can even fathom. seemed odd. These two prodigies were battling preppie/yuppie school kids who - dressed in crested, matching blazers - were sponsored by their schools. While these poor kids watched town funds go to cheerleading instead. no glory in the pursuits of the brain.

So as all of this is sifting through my brain, another school gets introduced into the schema. Jordan High School - Long Beach from LA. these people were really poor. and working 25 hour weeks - taking from research time, etc. all while trying to get regular homework done. and avoid all trouble, as any blemish on the record yields a suspension from the debate team. and i can't imagine, in the city that Snoop Dogg brought to National attention with a gangsta swagger, that the debate team is the cool thing to do. so, imagine the social price on top of the aforementioned.

now, these young black kids - Richard and Louis - begin to become the center of the debate landscape. the are brilliant and damn good in the constructs of debate. they are known on a national scene. Well, the summer between 2005 and 2006, these kids start to wonder about their effect on this world - the debate world and the earth's populations. They, objectively and correctly, assess their and fellow debaters' actual impact. "Real world' impact, some marketing guys would say.

Basically, they try to determine what is the point of all this. Well, following the existing paradigm, it simply is to win these tournaments within their debate microcosm. Richard and Louis ask, "why?". they establish that they should expand to a macro attack plan and have actual results stem from debate.

this is where the film truly takes form. as the kids are questioning theexisting structure - they learn of Paulo Reglus Neves Freire [(Recife, Brazil September 19, 1921 – São Paulo, Brazil May 2, 1997) was a Brazilian educator and influential theorist of critical pedagogy.] *see Pedagogy of the Oppressed. They implement his 3 point approach to convincing the hierarchy of realistic approaches. The speak slower. They use reason to argue. they do not just spit facts ('banking'), but interact with opponents and gradually build their argument from responses.

they address the class structure of the country and the debate environment, the racial constraints, the economic ones, and a slew of other factors that kept me captivated. My heart sank as i watched their passion land and slide off the ignorant, resistant others. These kids' sheer brilliance - and their strength to objectively challenge the structure was inspiring and enchanting. And the judges lapped it up. they too gave respect to this new approach. for a short while.

as these two continued to step away from the architecture laid to try and apply the topics into the real world and an INDIVIDUAL's reality. i cannot stress the last point enough. the gave each debate personality and a unique face. Earlier in the film, a debate was on "Should the US go in and stop genocide in Darur?". Well, as R&L would approach that type of subject; they looked beyond, statistics and figures to try to establish a proper response. One that could approach real-life players in the scenario and not just debate judges.

their approach quickly turns into debates that hey attend actually debating their style vs. the traditional debate form.

This film was remarkable. it addressed a gamut of concerns in a forum that i adore but am completely alien to.

Guest stars have (some actor you know as a "that guy!"), Justice Alito, Jane Pauley and others. with their comments on debate and its rippling effect on the individuals that participate in it.

but the real essence of this film is how these two street kids eviscerated the archaic system and show the hierarchy the heart of it. and how, eventually, the upper echelon only want to perpetuate their own kind and agenda. when the revolutionaries dissect the pith of a system, we as a society, stand to learn so much. but often they do not want to see what they are shown. these brave children - who had parallel stories to the original two white kids - both found some tattered glory, but essentially fail to make a dent in the armor. which solidifies my constant chorus of how this country's plague is economic and not racial. this is a class war.

i tend to walk away with the cynicals' treasure - but there are some silver linings. and the fight is always worth it. What's right is right. i fester an indignation wheni fail to see complete victory, but these brave kids had the notion and the fury to challenge the well-established foundation of a backwards, impotentture. i am proud to watch this.

this was hardcore.
this was punk rock.
class war.
fuck the system.
all that.
please watch this amazing film of kids who wanted to make a difference. simply because they took a step back and questioned the erroneous logic of an established method.

i would also like to add - that i love documentaries - but i often concede that when given a powerful story, how much is it the filmmakers' skill and how much is just the stroy? i.e., could anyone stand there and make this? not in this case. the filmmakers' here truly crafted a well-told, emotional, and gripping tale.

http://www.imdb.com/title/tt1068161/
http://en.wikipedia.org/wiki/Resolved_(film)
http://en.wikipedia.org/wiki/Tournament_of_Champions_(debate)

Wednesday, February 17, 2010

New H8 Inc "A Clockwork Misery" FOFR Review


so - what a cool surprise. i jumped on the ol' myspace after a long time of not and i see an announcment from H8 Inc - a new friggin' album. Fan-fuckin-tastic. I loved "Life of Pain". Great D_Beat, mid-eighties hardcore. Negative Approach, Discharge with cool mosh parts type deal. Fast, heavy, crushing songs about poverty, hate, murder, violence, pain, and many other aspects of the cold, bitter streets of Detroit. If you ever picked up the Cold as Life comp of early year stuff ("1988 - 1993") it is much like that; not CAL later stuff; just produced better.

So - "A Clockwork Misery": It is just as dark and heavy and brutal and noisy. It is produced 'cleaner'; which is good. That aspect helps a lot. (It's not like Atreyu or some non-sense, but cleaner). This is very guitar driven; the riffs take front seat. there are a solid presence to the drums and bass; awesome and clear, just slightly held back. It is mixed well. This is more early Madball than NA or UK82 of "L.I.P.". Gang vocals are thrown in *("Take Back Your Life", "Do What You Can","I will smash your face!") for a truer hardcore sound/feel than the metal some may expect. There are double bass stomps and a lot dance parts, but also lots of 4/4 straight ahead old school NYHC parts too. I guess my point is while this has a metal slant - it ain't Terror or Integrity or Hatebreed. This owes more to NA, AF, YDI, and Poison Idea with a crisp production that packs a wallop. Like 86 Mentality or Set To Explode mixed wit nails, concrete, and Wisdom in Chains. Hateful, nihilistic thoughts yield lyrics that propel tough, angry, jaded tyrades. Which is awesome. This hardcore is for the true heads. Gruff vocals, no singing or longing rants of abstract visions. These guys came from the ashes of a legend that never got its due. i would hope that these guys can get some accolades that return rewards for guys that have seen hard times on the street and in a band. if you love classic heavy hardcore, this is for you.


"Life of Pain" was hard to find and so is this. so, check:

New H8 Inc. album "A Clockwork Misery" out now on Fraternal Order of Felons Records. It’s $8.00 shipping included inside the U.S at
http://www.h8inc.com/

or

http://www.myspace.com/h8inc

Monday, February 15, 2010

New Killing Time "Three Steps Back" Dead City Records



the time is upon us. find it. buy it.
sweet.

http://www.killingtimenyhc.com/
http://www.deadcityny.com/DCNewspage.htm

OFFICIAL DEADCITY NEWS:
"February 9, 2010 is officially KILLING TIME DAY! New Limited Edition CD by New York Hardcore legends OUT NOW. The CD titled "Three Steps Back" features 12 brand new unreleased tracks. Full color booklet with photos/lyrics are also included with the CD. Vinyl LP available the end of February. More info on this release can be found at the KILLING TIME band page. Look for KILLING TIME SHIRTS AND HOODIES on the clothing section of the webstore."

Saturday, February 13, 2010

New Punk Releases

Big weekend.
Refuse/Resist release show:
Sunday, February 14, 2010
SOCIALIZED CD RELEASE as part of Ronnie Holbrook Benefit Show @ Great Scott
1222 Commonwealth Ave, Allston, MA 02134 (United States) - Map
(617) 566-9014 Set: 8:00 PM
18+

Also Playing: The Welch Boys, The Blue Bloods, The Murder

pick up the new cd "Socialized" for real Boston Punk Rock - with piss and vinegar and an actual point.





and for angry street music - a great mix of hardcore and oi!,
BULLDOG COURAGE!


pick up "Fom Heartache to Hatred"

see my review in "Best Hardcore of 2009: posting

Wednesday, February 10, 2010

Cloak/Dagger 7" Review "Don't Need A" Grave Mistake Records


a lot of people fuck up the definition of "ironic". they label things such, when they are not; mostly, just coincidental. however, i am confidence in my accuracy of diagnosing the record label "Grave Mistake"'s moniker of being truly ironic. Because they have NEVER made a mistake in choosing which bands to release and what said bands' output will be. This is label rules.

That being said, RVA's cloak/dagger follow up their stellar full length and ep from three years ago with another amazing full length ("Lost Art"; Jade Tree) and this gem, "Don't Need A" - a green version on Jade Tree and a red One on Grave Mistake Records.
"and new three song 7" EP from Cloak/Dagger. This single charges through the title track "Don't Need A" which is taken from their brand new LP "Lost Art" and is rounded out with two non-LP tracks on the B-side, only available on this single. Cloak/Dagger continues to charge forward getting better with every release as they fine tune their "Hot Snakes via early 80's hardcore" sound. This 7" is a one time only pressing. Comes with a digital download card"

check it out:
Black Flag goes rock a la Hot Snakes and Supersuckers. Maybe? these dudes have a distinct sound. This is punk. about "the loneliest people" who "all (their) life had to fight"....from "Jesus had a Twin". "Don't Need A" is a punk anthem of how we differ from the norm. Lo-Fi, spastic, catchy, sweaty punk rock. This band is genuis and accessible.

i found this on revhq.com - sums it up: niquely combining punk, hardcore and garage rock, Richmond, VA's Cloak/Dagger return with "Lost Art," which employs the guitar twang of the Avengers, Drive Like Jehu, Hot Snakes and Mission Of Burma, the percussive thrust of Ramones or Hot Snakes and bygone Boston hardcore heroes The FU's and Jerrys Kids and a vocal delivery that is more Johnny Thunders and less Ray Cappo

this release is strong. go buy stuff on:
http://www.interpunk.com/search.cfm?&searchfor=Cloak/Dagger&

http://revhq.com/store.revhq?Page=search&BandId=7595

or get at:
www.emusic.cm

catch a show, buy a shirt; these dudes are the real deal.

also - check out:
http://www.gravemistakerecords.com/site

http://www.myspace.com/wearecloakdagger

Bane 7" reviews. Boston Los Angeles BBB and 6131 Records




ok - November and December saw Bane come out and brush the dust off. 7 releases; each have either 1 or another group of 3 songs. i grabbed "Boston 6:58" and "Los Angeles 3:58". these encompass all 6, so i will review these 6 songs.

"The Bold and The Beautiful" This song comes in, 'both guns blazing' (reference intentional...) - "So This Is It!?!?" gets yelled over a pummeling drum roll and buzz of guitars. the verse gets moving and we bounce to a cool bridge that is ripe for dancing. the breakdown is ill, heavy and paced.Gang vox come in, "Live, Learn, Rise, Fall, Point, Squeeze". there will be no room on stage to this ditty. everyone is pile on while some escape to walk the heads of the crowd. Inspirational lyrics and tight songwriting make this a new Bane anthem

"One Life to Live" fast. short. in-fucking-tense. little bursts of guitar-driven rage. "I didn't find God and he didn't come looking for me. Someone showed me Minor Threat. And that was plenty much good enough for me" - My life, and many others, reduced to its pith. beautiful.

"The Young and Restless" - this is the style that Bane created, but Deathwish ran off with. Think Carpathian (new), Verse, Have Heart, Blacklisted, etc. The song is boring to me. I get it - impassioned screams over a stretched out soundscape; yielding a monumental, climactic epiphany of emotional resign. Bu8t i also am listening to the 7 inch. and when i listen to two blazing songs of fury and of speed, to get up and flip the platter to unleash a snare march tempo strewn out guitar swan song; ....eh. Maybe among the cd it would feel encapsulating of the 6 song output. but as a single song side to a 7 inch that i gotta dig in the crates for, kinda disappointing.

"The Guiding Light" perfect mid-tempo stomp. Great Tune.

"As The World Turns" starts mid-tempo beat and "Though I Walk Alone, I am never on my own!", (come on stage, kids! Hoods Up!)then picks up to a melodic, layered swing. Fast and straight with occasional bounce to add flavor. There are some more nuanced guitar tracks doing things that i do not recognize technically; but, i can hear how they add to the song. The last third gets slow and has multiple tracks of dudes singing - a touch soft for my taste. slightly poppy.

"Another World" back to that slower, sweeping style - but with an actual riff to propel it - this song is cool. Then the song picks up, i might not dance, but my head is bobbing and my fists are pumping. this has a catchy, but heavy riff with some melodic guitar overlayed to add depth. there is weird break for an emo line. Then, back to the slow stuff, but this is more of a song and a better riff. I dig it.

Bane is amazing. Talented musicians that utilize that knowledge to write complex songs. But those songs are still simple, catchy, chunky and melodic enough to relay the passion that these dudes have for hardcore. I mean, Bane to me is still a 'new school' band. but they have been doing it for 15 years and invented what most modern hardcore is saturating with. Still can't fuck with the OG's. I love this band and most of these tunes are a blast of inspiring, introspective lyrics over fast, intense music.

Los Angeles, 3:58 pm
Boston, 6:58 pm
Curitiba, 7:58pm
Dublin, 11:58 pm
Rome 12:58 am
Perth, 7:58 am
Tokyo, 7:58 am

"LA" and "ROME" have GL, ATWT. and AW. "Boston" and "Dublin" have B&B, OLTL, and Y&R. They are 7 inches. "Perth" "Curitaba" and "Tokyo" are CDs with all 6 songs *( Tokyo has a 7th, "Enjoy"). Check Triple B records, Hurry Up REcords, Alliance Trax, and 6131 Records. WOrd.

Wednesday, February 3, 2010

and again...

NPR did a story on Boston Punk Cabaret vixen - and victim of my adoration: Amanda Palmer. She is in The Dresdon Dolls and released a solo album last year (produced with Ben Folds) and helped Somerville High School put on a muysical based on Nuetral Milk Hotel music. Hey, for the kids, right? That's what the punks used to say. If you do not know, her music very theatrical, drums and piano. But it is punk guitar parts played on the piano and lots of time changewes. Satirical, sardonic, bratty, bitter, lonely, somber, angry; all words that a punk like me likes and describes her pefectly. She does a unique music, but does not let the 'art' overshadow the emotion...if you want to separate the two in the first place.

http://www.npr.org/templates/story/story.php?storyId=123295591

Tuesday, February 2, 2010

more legends interviewed

Jello Biafra. As i am continually rocking out to the stellar "Audacity of Hype" since its drop - i am stoked to have JB with some recent ranting.

punknews.org:

Monday, February 1, 2010

amazing mash up - check it

Wu-Tang greatest hits mixed with the beatles. it works very well.

http://www.teasearecords.net/wuvsbeatles.cfm

"
Enter The Magical Mystery Chambers is a remix album incorporating Wu Tang acapellas & Beatles songs.
The album is produced by Tom Caruana.
Artwork is provided by Logan Walters, who has reworked several Wu Tang covers.

All the samples are listed on the back cover (see bottom of page for larger version).
Instrumentals & radio edits now available to download further down the page.


teasearecords.net